Content Category: Art/Design
Design: P&G Floor Illusion graphics
This project was a favorite of mine: Lots of math. 3D modeling and 16bit EXR output. An extremely challenging, seemingly impossible problem. Many softwares used. Many X-acto blades used. Good stuff. Willow Creative Group was contracted by the Cognitive Science … Continue reading
Drawing: Waiting
A study of body form, posture and gaze.
Drawing: Arms behind back
This study is one of several, working on some expressions and gestures. Very subtle differences in how the charcoal is applied along the lips and eyes can make a staggering difference in the perceived expression. Very small tweaks to the … Continue reading
Drawing: Arched against wall
A study done in graphite and charcoal as a study of body form and posture.
Concept Jewel gallery is closed
Just an FYI, as I’ve had a bunch of people ask lately… Concept Jewel, the gallery, is closed. Sadly, after my third burglary, I pussed out and shut her down. OTR is one mean bitch, but somehow I still have … Continue reading
Drawing: Kneeling, hanging from hands
This drawing was done in charcoal as a study of body posture and composition.
Drawing: On back
A study of gaze, body posture and image composition.
Drawing: Forlorn look
Another study done, working on facial expressions and gestures. The slight tilt to the head and body are what bring the character to the image, emphasized by the passive, almost pouty expression. Eyes casted away suggest distraction.
Drawing: Seated, looking away
A study of body posture and weight created by negative space.
Drawing: Lying on stairs
A study of gaze, body posture and composition.
Drawing: Lying down, looking to side
This is a study of body posture and gaze. One challenge with this drawing was getting the face down. When someone is lying down, their face naturally distorts, a LOT… just like when talking, chewing, gesturing, or practically any picture … Continue reading
Drawing: Leaning on edge
A quick study of body posture of a woman leaning against an edge.
Drawing: Lying down, looking up
A study of gaze, body posture and composition.
Drawing: Standing pose
A study of pose and body form. I’ve really been going back and looking at R.Crumb et al. lately and man, talk about detail in the right places. Not that I’m trying to emulate exactly what he’s doing. Obviously I’m … Continue reading
Drawing: Kneeling with hands on chest
A charcoal and graphite study done to look at body posture, balance and movement. I am always startled at how a slight change in the relative position of the rib cage in relation to the hips can make such a … Continue reading
Drawing: Kneeling at Bath
This is a quick study done in charcoal of a female kneeling at bath. One of several working on problems of body movement and structure.
Drawing: Contemplating Female
I have always been fascinated by Michaelangelo’s portrayal of eyes. If you look close, he does them in very solid confident strokes of color or line that sit RIGHT on the edge of the shape his is creating for the … Continue reading
Drawing: Seated, looking back
A study of body posture and weight created by negative space. There is something about being on an object that you can’t perceive that sets everything just off balance. I like the effect.
Drawing: Viewed from behind
This is a study done to work out a problem I was having modeling the back properly. Female back musculature is very subtle. With the male form, the shape is much more distinct and follows the ribs and scapula in … Continue reading
Drawing: Standing, looking back
A study of pose, body form and gaze.
Drawing: Brazen look
A study done looking at posture and facial expression. In this graphite and charcoal drawing, I was aiming for an open, challenging look, tempered by the coy shoulder. I went pretty soft on the graphite and ended up taking twice … Continue reading
Lenticular Print: Sexy Arms 5
Image 5 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading
Lenticular Print: Sexy Arms 4
Image 4 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading
Lenticular Print: Sexy Arms 3
Image 3 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading
Lenticular Print: Sexy Arms 2
Image 2 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading
Lenticular Print: Sexy Arms 1
Image 1 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading
Lenticular Print: M.O. 5
Image 5 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading
Lenticular Print: M.O. 4
Image 1 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading
Lenticular Print: M.O. 3
Image 3 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading
Lenticular Print: M.O. 2
Image 2 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading
Lenticular Print: M.O. 1
Image 1 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading
3D Rendering: Easy Touch Syringes
I modeled, rendered and composited a series of images for the Easy Touch Syringe brand for inclusion in print and web marketing. Unsuccessful with several photo-shoots, the lead designer for Masters Pharmaceutical contracted me to create images of the boxes … Continue reading
Lenticular Print: Vapor 1
Image 1 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 8
Image 8 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 7
Image 7 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 6
Image 6 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 5
Image 5 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 4
Image 4 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 3
Image 3 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Vapor 2
Image 2 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading
Lenticular Print: Anemia 3
Image 3 of 3 in the Starring Series. 16×20 3-d lenticular print. The Anemia Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading
Lenticular Print: Anemia 2
Image 2 of 3 in the Starring Series. 16×20 3-d lenticular print. The Starring Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading
Lenticular Print: Anemia 1
Image 1 of 3 in the Starring Series. 16×20 3-d lenticular print. The Anemia Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading
Lenticular Print: Broadcast Patriot 2
Image 2 of 2 in the Broadcast Patriot Series. 16×20 3-d lenticular print. The Broadcast Patriot Series is a representation of surreal imagery I’ve been seeing lately when I close my eyes. For some reason I have this thing with … Continue reading
Lenticular Print: Broadcast Patriot 1
Image 1 of 2 in the Broadcast Patriot Series. 16×20 3-d lenticular print. The Broadcast Patriot Series is a representation of surreal imagery I’ve been seeing lately when I close my eyes. For some reason I have this thing with … Continue reading
Lenticular Print: Posie 5
Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading
Lenticular Print: Posie 4
Image 4 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading
Lenticular Print: Posie 3
Image 3 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading
Lenticular Print: Posie 2
Image 2 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading
Lenticular Print: Posie 1
Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading
Installation: 1 coin 1 play, Patriot
The fifth piece in a series of cut vinyl applied directly to the wall, the series titled “1 coin 1 play”… this piece is titled Patriot, size: 14″x21″ This installation is a tribute to our national symbol of identity. I … Continue reading
Installation: 1 coin 1 play, Flag 4
The fourth piece in a series of cut vinyl applied directly to the wall, titled “1 coin 1 play”… this piece is Flag 4, size: 53″x68″ This installation is a tribute to our national symbol of identity. I am using … Continue reading
Installation: 1 coin 1 play, Flag 3
The third piece in a series of cut vinyl applied directly to the wall, titled “1 coin 1 play”… this piece is Flag 3, size: 40″x9″ This installation is a tribute to our national symbol of identity. I am using … Continue reading
Installation: 1 coin 1 play, Flag 2
The second piece in a series of cut vinyl applied directly to the wall, titled “1 coin 1 play”… this piece is Flag 2, size: 37″x27″: This installation is a tribute to our national symbol of identity. I am using … Continue reading
Installation: 1 coin 1 play, Flag 1
The first piece in a series of cut vinyl applied directly to the wall, titled “1 coin 1 play”… this piece is Flag 1, 100″x76″: This installation is a tribute to our national symbol of identity. I am using interpretations … Continue reading
Drawing: Faulty Circuit 4
The Faulty Circuits drawings are 18″x24″ ink and charcoal drawings on vellum. They are computer designed and plotted electronic schematics, with hand work on top, finishing the diagram and closing the electronic loop. While quite adept at reading and developing … Continue reading
Drawing: Faulty Circuit 3
The Faulty Circuits drawings are 18″x24″ ink and charcoal drawings on vellum. They are computer designed and plotted electronic schematics, with hand work on top, finishing the diagram and closing the electronic loop. While quite adept at reading and developing … Continue reading
Drawing: Faulty Circuit 2
The Faulty Circuits drawings are 18″x24″ ink and charcoal drawings on vellum. They are computer designed and plotted electronic schematics, with hand work on top, finishing the diagram and closing the electronic loop. While quite adept at reading and developing … Continue reading
Drawing: Faulty Circuit 1
The Faulty Circuits drawings are 18″x24″ ink and charcoal drawings on vellum. They are computer designed and plotted electronic schematics, with hand work on top, finishing the diagram and closing the electronic loop. While quite adept at reading and developing … Continue reading
Drawing: Artificial Logic
The artificial logic series was created after I spent a considerable amount of time researching and developing a framework for some video-game based artificial intelligence. There are several schools of thought, and general approaches to the problem of making machines … Continue reading
Lenticular Print: Mercury
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Mercury. The planets are simply beautiful.
Lenticular Print: Pluto
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Pluto. The planets are simply beautiful. Yes, the planet Pluto. Neil deGrasse Tyson, suck my assteroids.
Lenticular Print: Neptune
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Neptune. The planets are simply beautiful.
Lenticular Print: Neptune and Triton
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Neptune with the moon Triton. The planets are simply beautiful.
Lenticular Print: Mars, Phobos, Deimos
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Mars with the moons Phobos and Deimos. The planets are simply beautiful.
Lenticular Print: Mars with Phobos
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Mars and the moon Phobos. The planets are simply beautiful.
Lenticular Print: Jupiter
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Jupiter. The planets are simply beautiful.
Lenticular Print: Jupiter with the Galilean moons
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Jupiter with the four moons discovered by Galileo Galilei. The planets are simply beautiful.
Lenticular Print: Venus
16×20 3-d lenticular print. A relatively faithful reproduction of the planet Venus. The planets are simply beautiful.
Lenticular Print: Jem
16×20 3-d lenticular print. This is something I’ve been exploring… still more to come on these, but I am not solid on the idea yet. Skin and cold precise rocks. Something there, I’m sure.
Lenticular Print: Curve 5
Image 5 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Curve 4
Image 4 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Curve 3
Image 3 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Curve 2
Image 2 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Curve 1
Image 1 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Arch 5
Image 5 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Arch 4
Image 4 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Arch 3
Image 3 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Arch 2
Image 2 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Arch 1
Image 1 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading
Lenticular Print: Wash 5
Image 5 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading
Lenticular Print: Wash 4
Image 4 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading
Lenticular Print: Wash 3
Image 3 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading
Lenticular Print: Wash 2
Image 2 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading
Lenticular Print: Wash 1
Image 1 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading
Lenticular Print: Flow 5
Image 5 in a series of 5. 16×20 3-d lenticular print. Countless hours working with a fluid simulator went into this series, with the intent of creating straightforward visual and motion compositions.
Lenticular Print: Flow 4
Image 4 in a series of 5. 16×20 3-d lenticular print. Countless hours working with a fluid simulator went into this series, with the intent of creating straightforward visual and motion compositions.
Lenticular Print: Flow 3
Image 1 in a series of 5. 16×20 3-d lenticular print. Countless hours working with a fluid simulator went into this series, with the intent of creating straightforward visual and motion compositions.
Lenticular Print: Flow 2
Image 2 in a series of 5. 16×20 3-d lenticular print. Countless hours working with a fluid simulator went into this series, with the intent of creating straightforward visual and motion compositions.
Lenticular Print: Flow 1
Image 1 in a series of 5. 16×20 3-d lenticular print. Countless hours working with a fluid simulator went into this series, with the intent of creating straightforward visual and motion compositions.
Lenticular Print: Yell
16×20 3-d lenticular art print. I did this image in collaboration with Mark White-Masters. I freaking love his artwork, it is incredibly vital, yet always gave me the jeebeez a bit. I dropped into his place for a weekend and … Continue reading
Lenticular Print: Brainiac
16×20 3-d lenticular art print. I did this image in collaboration with Mark White-Masters. I freaking love his artwork, it is incredibly vital, yet always gave me the jeebeez a bit. I dropped into his place for a weekend and … Continue reading
Flash: Confuseus Says
A fun project done in Flash with classmates while in at UNCG. Using a very rudimentary keyword analysis, the application responds back with an array of responses. Meant to be amusing for a short bit. The design of the ‘Confuseus’ … Continue reading